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8 January 1836 – 25 June 1912. Most renowned painters.

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Juan de Arellano
Clematis, a Tulip and other flowers in a Glass Vase on a wooden Ledge with a Butterfly

ID: 95906

Juan de Arellano Clematis, a Tulip and other flowers in a Glass Vase on a wooden Ledge with a Butterfly
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Juan de Arellano Clematis, a Tulip and other flowers in a Glass Vase on a wooden Ledge with a Butterfly


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Juan de Arellano

(3 August 1701 - 13 October 1776) was a Spanish painter of the Baroque era who specialized in floral still life paintings. Born in Santorcaz, near Madrid, where he died. He was a pupil of Juan de Solis. Heavily influenced by Flemish and Italian painters (such as Mario Nuzzi), Juan de Arellano was considered to be exceptional in this thematic. According to one of his colleagues, de Arellano decided to focus exclusively on floral paintings because it offered more pay while requiring less work . Some of de Arellano's most famous pieces include Bouquet of Flowers (c.1660), and Garland of Flowers, Birds and Butterfly, currently on display at the Louvre. He also painted for the sacristy of the church of San Jerenimo el Real of Madrid. See Bodegen for a description of one style of Spanish still life painting.  Related Paintings of Juan de Arellano :. | strauss directing an opera from the pit , by wilhelm viktor krausz | Kriget | Festningsmur | A Vase of Flowers | Francois I of France |
Related Artists:
DOMENICO DA TOLMEZZO
Italian painter, Venetian school (b. ca. 1448, Friuli, d. 1507, Friuli)
Braquaval Louis
Esquermes 1854-Saimnt-Valery-sur-Somme 1919
Joachim Wtewael
1566-1638 Flemish Joachim Wtewael Galleries Dutch painter and draughtsman. He was one of the last exponents of MANNERISM. From c. 1590 until 1628, the year of his latest known dated paintings, he employed such typical Mannerist formal devices as brilliant decorative colour, contrived spatial design and contorted poses. He sometimes combined such artifice with naturalism, and this amalgam represents the two approaches Dutch 16th- and 17th-century theorists discussed as uyt den geest (from the imagination) and naer t leven (after life). Wtewaels activity reflects the transition from Mannerism to a more naturalistic style in Dutch art. Slightly over 100 of his paintings and about 80 drawings are known. Subjects from the Bible and mythology predominate; he also painted several portraits, including a Self-portrait (1601; Utrecht, Cent. Mus.).






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